Almost every family has the same three things. A shoebox of loose prints, a shelf of albums, and a vague worry that nobody has done anything about them. Prints fade, lofts get damp, and the one person who knows who everyone in the photographs is will not be around forever.

Digitising the lot sounds like a mountain. Treated as a winter project, twenty minutes at a time, it is entirely manageable.

Start by sorting, not scanning

Resist the urge to scan the first photograph you pick up. Spend the first few sessions sorting into three piles. The keepers, the duplicates and the mysteries. Be ruthless with the seventeen nearly identical shots of the same beach. Aim to digitise the best few hundred, not all five thousand.

The mysteries pile is the valuable one. Sit down with the oldest member of the family and go through it together, writing names and places lightly in pencil on the back. That conversation is often the best part of the whole project, and the information is irreplaceable.

Three ways to scan, from free to effortless

The golden rule
One copy is no copies. Keep the digital photographs in at least two places, for example on the computer and on a memory stick kept at a relative's house, or in an online storage account. And keep the originals. Digitising is insurance, not a reason to throw the shoebox away.

Name the files while you remember

A folder called "Scans 1" with four hundred numbered files helps nobody. Name folders by decade or event, and put names in the file name itself where you can. Your grandchildren will not recognise great aunt Edith without help.

Finally, share as you go. A photograph from 1972, sent to the family group chat on a Sunday evening, reliably produces more conversation than anything else you will send all week.